One shooter, or two
Most weddings run with one shooter. A second is added when the ceremony and reception split attention - one stays on the vows and toasts, the other covers the room, so neither moment is traded for the other. Gimbal movement is used sparingly, for the walk down the aisle or the first dance, never as a constant float.
Drone work is available and used when it earns its place - a wide establishing shot of a venue, mostly. Many venues and locations do not permit it, so permission is checked in advance, every time, never assumed on the day.
The photographer and the film crew share one timeline rather than compete for the same position during the vows or the first kiss. That is worked out before the day, not negotiated in the aisle.
