A studio built around the light table
The studio took over a former print shop with tall north-facing windows, which turned out to be the right light for glass selection - steady, without direct sun to fool the eye on color.
Restoration work runs alongside new commissions rather than as an occasional side job. A century-old parish window and a new garden door sidelight are cut on the same bench, by the same hands, in the same week.
Three glaziers work here, one of them trained originally as a restorer, which is part of why old and new work sit comfortably in the same room.
